WHAT THE HELL

Kevin Brennan Writes About What It's Like

Songs and stories: a different process?

Writing songs vs writing fiction. Compare and contrast.

I have to think that different parts of the brain are involved in the two processes.

Usually, I’ll start a piece of fiction with the germ of an idea, a set-up, or a conceit. Sometimes it’s as simple as a one-liner like: “A man is visited by his future self.” Then I’ll begin sketching the background the characters are going to be moving around in. Names, locations, relationships. I’ll start improvising the opening, and at the same time I’ll probably write some notes about how the plot might develop. And, day by day, the thing will take shape and begin to gel.

With a song like “Never Is Forever,” above, it’s a completely different scenario. Most often the song gets going with a chord progression. Here, I was messing around one day with the rhythmic hook Pete Townshend uses in The Who’s version of “Summertime Blues,” from Live At Leeds. Gradually I worked in a different set of chords and began to play with some melodic ideas over them.

It stayed that way for weeks.

Partly I had to learn how to play my own song. I was nowhere near ready to try recording it. For one thing, it didn’t have a chorus or middle eight yet, and it had no lyrics. Plus, at that point, I had no idea what the song would be about, though its tempo and basic feel suggested something offbeat and humorous.

With fiction, though, it’s hard to separate out one element that would be equivalent to a chord progression in a song and work it out before moving on to other elements. Maybe hammering out the entire plot before writing a word would be similar, but when I’ve tried that in the past I’ve found it easy to become detached from my characters. A novel, for me, gets made more organically, a sentence at a time.

Once I was comfortable with the chords and structure of “Never Is Forever,” which was still untitled, I recorded the rhythm guitar part to a drum loop. This established the final tempo and length and gave me a good framework to play with for the overall sound of the track. I added a bass line with my MIDI keyboard, choosing a muted rock-style bass sound, and then I tried some ideas for a lead guitar solo. In this case, I decided to keep it short and sweet, and ultimately I’d put some vocals over the lead section too. Since I’d based the song on “Summertime Blues,” I went with a lead built around the A minor pentatonic scale, which is a typical rock and roll sound a la Chuck Berry.

The novel I’m working on now, in contrast, has me feeling my way forward like a mole digging a fresh tunnel. I have a general sense of where I want to go, I think I understand my protagonist pretty well, and I’ve settled into a tone that feels right for the material. In the back of my mind I have a few plot points as markers ahead, knowing in the loosest way where they should take place in the word count. But compared to songwriting, this is much more a leap of faith and I always risk the possibility that I’ll have to start over if I hit a major obstacle. Sometimes you can’t see as far ahead as you need to, only to stumble upon an impassable canyon in your path.

But “Never Is Forever” started to cohere when I went to my lyrics notebook and saw the title, which I’d written down months ago. What could that possibly mean? Never is forever. I’d recently read one of those books about what we know about the universe (I think it might have been The Big Picture by Sean Carroll), so the meaning of time was probably swimming around in my head. When you think about it, “never” is a backwards version of “forever.” Something that never happens fails to happen forever. I was developing a vocabulary to use in my song. Then I thought it would be fun and funny to have the song’s persona talk about these ideas rather than sing them, like he’s just trying to work out the concepts and talk them through. It’s SCIENCE!

Then came the phrase: “We’ll be looking at our future through the rearview mirror,” and I went, Yes!

Once I had the conceit of the song down pat, I could mess around with its color, so I picked a couple of interesting synthesizer models to give it a spacy feel. I also found a laser beam sound on GarageBand to throw in at the end. After all the recording was done, I could do the mixing and tweak the sound of the individual tracks, then master it to the best of my limited abilities and send it on to the online app that does a final mastering much better than I can.

As for my novel in progress? I wish it were as easy to wrap up as the song. I wish there were technical tools that help writers tweak and repair and hide flaws and punch up weaknesses, but all we have as writers is that part of the brain that does the heavy lifting.

Imagination and creativity are at work in both endeavors. A song takes anywhere from a few days to a few weeks to bring to fruition, but a lot of the time it feels like a novel is never really finished. Even after it’s published. Scary business.

But, like the song says, Whenever I feel afraid … I whistle a happy tune. Or write one, anyway.

Here are all my attempts to keep fear at bay.

12 comments on “Songs and stories: a different process?

  1. pinklightsabre
    September 8, 2017

    Ah, to keep fear at bay. The mole image is top-notch. Lovely piece here, will come back for the song too. That Summertime Blues is a juicy jam, in and out…glad to see it out. For you, to return to sub 80 temps in your house, there.

    • Kevin Brennan
      September 8, 2017

      Fear and loathing. Not self-loathing, though … 😉

      We’re heading into cooler times here. About 80 yesterday, a tad warmer today. But tol’rable.

  2. John W. Howell
    September 8, 2017

    Enjoyed the deconstruction of the song creation process.

  3. Phillip McCollum
    September 8, 2017

    This was so cool, Kevin. I’m sure you know how much I enjoy reading about the process part of creative endeavors. Curious, have you listened to this podcast with River Cuomo of Weezer on how they wrote one of their songs?

    http://songexploder.net/weezer

    Sounds quite similar to what you’ve expounded on here.

    • Kevin Brennan
      September 9, 2017

      Thanks, Phillip! I’ll have a listen to the podcast. Haven’t run into it yet.

  4. 1WriteWay
    September 17, 2017

    As you know, I really enjoyed “Never is Forever.” Interesting to read about the songwriting process and how it compares with the novel writing process.

    • Kevin Brennan
      September 17, 2017

      Thanks, Marie. It’s one of those songs that kinda makes you think. 😉

      I wonder if anyone’s studied what the brain is up to in writing vs music. Probably!

      • 1WriteWay
        September 17, 2017

        Probably but it’s always more interesting hearing about it from the artist, not the scientist (at least in this case).

  5. arsenios
    September 19, 2017

    funny, take you listened to this podcast with River Cuomo of Weezer on how they wrote one of their songs? I’m certain(p) you fuck how much I enjoy version about the cognitive process percentage of creative endeavors.

    • Kevin Brennan
      September 20, 2017

      I finally had a chance to listen to that podcast. Fantastic. River has a much more sophisticated approach than I do, but then again he’s a pro. 😉

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This entry was posted on September 8, 2017 by in Music and tagged , , , , , .
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